{"product_id":"silvergrainclassics-issue-24-autumn-2024","title":"SilvergrainClassics Issue 24 (Autumn 2024)","description":"\u003ch4\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cmeta charset=\"UTF-8\"\u003e \u003cstrong data-end=\"732\" data-start=\"684\"\u003eFeaturing: ANDREAS FEININGER \u0026amp; BRIAN GRIFFIN\u003c\/strong\u003e\u003cspan\u003e — seven portfolios from around the world make this our most image-rich issue yet — plus \u003c\/span\u003e\u003cstrong data-end=\"838\" data-start=\"821\"\u003eTHE PENTAX 17\u003c\/strong\u003e\u003cspan\u003e, Ricoh's long-awaited half-frame camera.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003ePhotography Without Borders\u003c\/b\u003e\u003cbr\u003eFrom Argentina and Japan to Berlin, Rome, and New York, this issue explores the people, places, and ideas connecting the world of film photography.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003eAnnemarie Heinrich \u0026amp; Andreas Feininger\u003c\/b\u003e\u003cbr\u003eTwo photographers from Germany shaped photography in Argentina and the United States. Their work continues to inspire today.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003e48 Pages of Portfolios\u003c\/b\u003e\u003cbr\u003eSeven portfolios make this one of the most image-rich issues of \u003ci\u003eSilvergrainClassics\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003eMusic Through the Lens\u003c\/b\u003e\u003cbr\u003eBrian Griffin, Thomas Wunsch, and David Goggin reveal three very different photographic perspectives on the world of music.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003eThe Pentax 17 Arrives\u003c\/b\u003e\u003cbr\u003eWe put Ricoh's long-awaited half-frame camera to the test and examine the thinking behind its design.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003ePhoenix in Medium Format\u003c\/b\u003e\u003cbr\u003eHarman's experimental color film arrives in medium format. We see what the larger negative brings to Phoenix.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003eFrom Negative to Print\u003c\/b\u003e\u003cbr\u003eBruce Barnbaum shares practical insights on visualization, cropping, and the creative decisions that shape a finished print.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• \u003cb\u003ePerfect Color Starts Here\u003c\/b\u003e\u003cbr\u003eWhy a calibrated monitor has become an essential part of today's analog workflow.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• \u003cb\u003eForgotten Super-8 Innovation\u003c\/b\u003e\u003cbr\u003eThe Agfa Family Super-8 system was beautifully designed but decades ahead of its time.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SilvergrainClassics","offers":[{"title":"Default Title","offer_id":56831490949446,"sku":"SGC024","price":9.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/4359\/2262\/files\/SilvergrainClassics_Cover_Issue_24.avif?v=1781981671","url":"https:\/\/shop.silvergrainclassics.com\/products\/silvergrainclassics-issue-24-autumn-2024","provider":"SilvergrainClassics","version":"1.0","type":"link"}