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SilvergrainClassics # 16 SilvergrainClassics # 16
  • Celebrating Mick Rock’s portraits, from Queen to Bowie to Rocky Horror
  • Exploring a Leica M3’s inner workings and a rare LEICAFLEX SL2 Motor
  • How to choose a portfolio of images for exhibition or critique
  • Tips for the Intrepid enlarger from handbook author Christopher Osborne
  • Using real filters: colored glass makes the difference, not AI beauty
  • Portfolios from around the world: Australia, Belgium, Japan, UK, USA, and Ukraine
€19.90 *
SilvergrainClassics # 15 SilvergrainClassics # 15
  • David Burnett & Steve Cham: two generations of film photographers documenting today’s world, plus our usual, eclectic mix of portfolios from around the world
  • New Color Films! We road tested Kodak’s Gold 120 and ADOX Color Mission with surprising results
  • Susan Bridges: published for the first time, photos and stories behind the scenes of Heaven’s Gate
  • Tools & Techniques: a personal perspective on darkroom vs. scanning by Doug Richardson, and a new look at zoom lenses
  • Inspiration for creative photography: Andrew Sanderson explains the importance of play, and a practical guide to redscale photography
  • The New 16mm Generation! YouTuber Brae Hunziker, SilvergrainAcademy students, and book reviews for analog filmmakers
€19.90 *
SilvergrainClassics # 14 SilvergrainClassics # 14
  • Vincent Peters’ celebrity portraits on film, fresh & timeless
  • Instant Photography! 50 Years Polaroid SX70 & LomoGraflok Instax back
  • The “Cinematic Look” and how to get it in both cinematography and still photography
  • Master Printers talk developers — 510 Pyro test, and controlling high contrast with HC110/L110
  • In-depth comparison of current negative scanning software solutions
  • Portfolios from around the world: Polaroid, large format, infrared, and classic B&W
€19.90 *
SilvergrainClassics # 13 SilvergrainClassics # 13
  • Artists Norbert Rosing & Beth Moon show us the beauty of our world from the Arctic to Madagascar
  • An in-depth, fact-based look at today’s film prices in perspective
  • Practical tips for reducing your film photography’s environmental impact
  • Two articles on Minox: its fascinating history, and an amusing gear-in-a-story article from Marwan El Mozayen
  • Two articles to get you started with new gear in the new year: Large Format and 16mm Motion Picture
  • Plus international portfolios, a book review, the Fuji Wide 60, Bruce Barnbaum’s book plans, and Paul McKay of Analogue Wonderland
€14.90 *
SilvergrainClassics # 12 SilvergrainClassics # 12
  • International portfolios from today’s film photographers, young and old, known and unknown, Cowboy and Navajo
  • Ensuring the survival of film: photography workshops, saving old cameras, supporting new gear, and trying new-to-you techniques like photographing strangers or using contact sheets
  • Stanley Kubrick, photographer: an intrinsic sense of composition, as seen in LOOK magazine, 1948
  • Gear old and new: the incredible Metz flash systems, and the VALOI 360 film holder
  • Edward Weston’s descendants carry on the photography tradition on Wildcat Hill and beyond
€14.90 *
SilvergrainClassics # 11 SilvergrainClassics # 11
  • Susan Burnstine: an enigmatic and unique vision
  • Meyer-Görlitz: testing new retro lenses based on old favorites
  • Zana Briski: the most awarded photographer you have never heard of
  • Your Own Emulsion: truly unique prints with ADOX Polywarmtone
  • Female Focus: international views of women in film
  • Portfolios from Trinidad and Tobago, UK, and USA
€14.90 *
SilvergrainClassics # 10 SilvergrainClassics # 10
  • Helmut Newton & Yva: “Dancing on the Volcano” in the Weimar Republic
  • Cameras of the 80s: a decade that changed gear forever
  • Loading Your Own Film from Bulk: does it make sense?
  • Authentic Vintage Photography: “how to” for marketing or personal work
  • Portfolios from Asia, Australia, Ukraine, and USA
  • Polaroid Super8? Revisiting an instant failure on a modern project
€14.90 *
SilvergrainClassics # 9 SilvergrainClassics # 9
  • ‘Zines! How to make the most of your photo project, even on a budget
  • Mini Light Meter: a convincing, tried and true model you may not know yet
  • Portfolios from Azerbaijan, USA, Albania, Germany, and Sweden
  • Gen Z and slide film: start your projectors, ready, go!
  • Hand Coloring B&W prints, tips from master Andrew Sanderson
  • The Importance of Subject Matter, thoughts from master Bruce Barnbaum
€14.90 *
SilvergrainClassics # 8 SilvergrainClassics # 8
  • Exclusive Interview: Jeff Bridges “The Dude” shares his thoughts on panoramic photography and his wide field of endeavors
  • Right for you? Photo processors, and the new ADOX CHS 100 ii 35mm film
  • Today’s documentary photography: pandemic, protests, and the everyday world around you
  • Portfolios from Germany, Japan, Canada, and the USA
  • Swing lens camera review: Widelux, Noblex, & Horizon
  • Master Bruce Barnbaum’s thoughts on advancing from “taking pictures” to “making photographs”
€14.90 *
SilvergrainClassics # 7 SilvergrainClassics # 7
  • Unique Portfolios: Gorgeously Shabby German Polaroids, California Underwater, Women in Asia, Ethnic Healing Hands, Expressively Empty Architecture
  • Silbersalz35, Cinema Film For 35mm Stills, a Practical Test
  • Tim Rudman: Lith Printing with the Master
  • Leica R4-7, and the “Texas Leica” Fuji GW690 III
  • Photography at Home with Andrew Sanderson & Bruce Barnbaum, and Cyanotype Ideas for the Whole Family
  • Film Photography / Art Therapy
€14.90 *
SilvergrainClassics # 6 SilvergrainClassics # 6
  • Akira Murata’s prints on traditional Japanese Washi paper
  • Bruce Barnbaum’s thoughts on photographing “Worlds Within Reach,” or interesting takes on the Leica R System and the new pixl-latr digitization assistant
  • Ansel Adams and Edward Weston: Unusual, interconnected series of articles about iconic photographers and their lasting legacies
€14.90 *
PhotoKlassik Int. 4/2019 (# 5) PhotoKlassik Int. 4/2019 (# 5)
  • Thomas Kretshcel’s Last Rolls of Kodachrome in Venice
  • Review: A New Instax Back for Medium Format
  • Fine Art Photography Galleries: Collecting and Getting Represented
  • International Portfolios from Germany, USA, South Africa, Japan, Russia
  • Minolta 9000 History and Review
  • Toning with Ilford Master Printer Andrew Sanderson
  • Bruce Barnbaum: Understanding Light
€14.90 *
PhotoKlassik Int. 3/2019 (# 4) PhotoKlassik Int. 3/2019 (# 4)
  • Jan Schlegel’s Silver and Platinum Prints
  • Wedding Photography on Film
  • Gear Acquisition Syndrome (Do You Really Want to Be Cured?)
  • International Portfolios from USA, Germany, UK, Russia, Israel
  • Super8 Camera Guide
  • Community Darkrooms Around the World
  • High-End Scanners
€14.90 *
PhotoKlassik Int. 2/2019 (# 3) PhotoKlassik Int. 2/2019 (# 3)
  • Featured Artist Christopher Burkett on Cibachrome
  • Hasselblad, Zeiss, Kodak, and NASA: Moon Landing 50th Anniversary
  • New Lenses on Old Cameras
  • Enlarger Basics, a Buyers’ Guide
  • International Portfolios from China, Poland, USA, Italy, UK, Germany
  • Studio Light Metering, How-Tos
  • Hollywood’s Love Affair with Celluloid
€14.90 *
PhotoKlassik Int. 1/2019 (# 2) PhotoKlassik Int. 1/2019 (# 2)
  • Featured Artist Manuello Paganelli
  • Ektachrome Interview and Test
  • Kiev-88 Gear-Talk
  • Adventures in Pinhole Photography
  • International Portfolios from UK, Austria, Belgium, Ukraine, and South Africa
  • Surf, Skate, and Film
  • George Eastman, the Original Influencer
  • How (and Why) to Analyze Pictures
€14.90 *
Special 1st Edition (# 1) Special 1st Edition (# 1)
  • 130-page Special Edition
  • Featured Artist Bruce Barnbaum
  • A History of Rangefinder Cameras
  • International Portfolios from USA, Poland, Germany, Ireland, Japan, and Kuwait
  • TLRs: Seagull, Flexaret, Yashica-Mat, and Minolta Autocord
  • Polaroid Photography, a Diverse World
  • E-6 Development
  • Street Photography on Film Today
  • Introduction to Light Metering
€19.90 *
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